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The engraving is ancient, carved by an artist aware of an African animal and Egyptian deity supposedly unknown until the British invasion. The pronounced long forehead and protruding lips is reminiscent of a baboon or one of the larger apes, and so out of context when carved into a continent lacking ape or monkey. The recent discovery of an engraving of Durramullan, again in profile, is less open to debate.
![journey ancient glyphs journey ancient glyphs](https://i.ytimg.com/vi/fPlzteYiLuc/maxresdefault.jpg)
And it is this more ancient representation that is found twice in Australia, extending the horizons considerably.Ī statue found at Gympie, said to act as one of five sentries guarding the controversial seven-stepped pyramid at Gympie, is a depiction of Thoth in his more primal ape-like form and has been argued over and often ridiculed. What really surprised us was that not only are the ibis and Thoth synonymous, but originally Thoth was depicted in ape-form. Two Ibis-men engraved into rock, both in profile with the head of an ibis and body of a human, seem to resonate to the same ancient Egyptian theme. The site includes an engraved Ankh (see image above courtesy of Steve Strong), an essential accompaniment to Thoth, placed alongside an Ibis footprint (Thoth’s recent animal counterpart) and what we believe to be the ‘River of Life’. However, despite the endorsement of the resident expert in Cairo, Australian academics with less impressive credentials are adamant this is an elaborate hoax. The engravings were first properly translated by Ray Johnson, claimed to be proto-Egyptian and accepted “as correct by the General Director of Cairo Museum, Dr. The critics who dispute the origin of these engravings numbering over 300 are not sensitive to the bigger picture, and if proven to be engraved by Egyptians, these glyphs form a pivotal and historic epitaph to an Australian history very few suspect. This site is no hoax, but a genuine archaeological discovery as is proven by the newly discovered second set of glyphs. In order to prove that these Proto-Egyptian glyphs are not graffiti, as claimed by various “Experts” and “Egyptologists,” but are the written record left by pre-historic man, written in a coherent and understandable language that makes sense even 4,500 years later.
![journey ancient glyphs journey ancient glyphs](https://i.ytimg.com/vi/dwYOntqUSCg/maxresdefault.jpg)
These Hieroglyphs are real and have existed for some 4,500 years in Australia. Hans-Dieter von Senff, who has produced a draft paper on the site: As to determining the bona fides of this supposed Egyptian site, we have one advantage. The distance between this unique site and that of the Gosford Glyphs is far too close for coincidence or comfort. Those engravings, and other related platforms (one is actually located within this block) are now directly under threat. It has been our agreed stance to categorise all the sites/relics we are sharing as being ‘found within 2 hours of Sydney’, but that generalised approach doesn’t apply in this location. Owing to the real possibility this land, irrespective of the credentials for or against the Gosford Glyphs, could be sold then developed, a different approach is compulsory. The photographs taken late in the afternoon on this site, and in particular those of Durramullan, should never be reproduced or published through any form of the media but… There is nothing remotely like it anywhere in Australia.
![journey ancient glyphs journey ancient glyphs](https://i.ytimg.com/vi/_gNW0Pxk_VU/maxresdefault.jpg)
There is one life-sized engraving of Durramullan (son of Creation Spirit Biamie) that is so unique, utterly unexpected, and obviously sacred, decisions had to be made as to how it can be publicly described. Without doubt, it is an impressive gallery of ancient Aboriginal rock art deserving of protection.